Download them by going to the appropriat e product page at:. Congratula tions! Introduction 1. Control elements and connectors 2. Applications 3. Installation 4. Specifications Limited warranty Legal Disclaimer. Ask a question. About the Behringer Xenyx FX. Behringer Xenyx FX specifications. Related product manuals. Please also note the instructions in chapter 5. You can also connect unbalanced devices using mono jacks to these inputs.
They are sourced pre-fader, pre-EQ and pre-aux send. Detailed information on using insert points can be found in chapter 5. Use the GAIN control to adjust the input gain. This control should always be turned fully counter-clockwise whenever you connect or disconnect a signal source to one of the inputs.
If that unit has an output signal level display, it should show 0 dB during signal peaks. Fine-tuning of a signal being fed in is done using the level meter. This way you have a vast amount of drive headroom for use with very dynamic signals. The CLIP display should light up only rarely, preferably never. While fine-tuning, the equalizer should be set to neutral. All mono input channels have a 3-band equalizer with semiparametric mid bands. All bands provide boost or cut of up to15 dB.
In the central position, the equalizer is off flat. The circuitry of the British EQs is based on the technology used in the best-known top-of-the-line consoles and providing a warm sound without any unwanted side effects.
The upper HIGH and the lower LOW bands are shelving filters that increase or decrease all frequencies above or below their cut-off frequency. The cut-off frequencies. For the mid range, the console features a semi-parametric equalizer with a filter quality Q of 1 octave, tunable from Hz to 8 kHz. When the PRE switch is pressed down, the associated aux send is taken pre-fader.
The aux send marked FX offers a direct route to the built-in effects processor and is therefore post-fader and post-mute. Monitor and effects busses AUX sends source their signals via a control from one or more channels and sum these signals to a so-called bus. In the latter case, the effects return can then be brought back into the console via the aux return connectors. When using effects on a channel signal, it is usual to have the aux send post fader so that the balance between effect and dry signal stays constant even when the channel fader is altered.
If this were not the case, the effects signal of the channel would remain audible even when the channel fader is turned all the way down. For monitoring, the aux sends are. The PAN control determines the position of the channel signal within the stereo image. When working with subgroups, you can use the PAN control to assign the signal to just one output, which gives you additional flexibility. For example, when routing to subgroups 3 and 4, panning hard left will route the signal to group output 3 only, and panning hard right will route to group output 4 only.
The MUTE switch breaks the signal path pre-channel fader, hence muting that channel in the main mix. The aux sends which are set to post-fader are likewise muted for that channel, while the pre-fader monitor paths remain active irrespective of whether the channel is muted or not. This enables you to listen to a channel signal without affecting the main output signal. The signal you hear is taken either before the pan control PFL, mono or after the pan and channel fader Solo, stereo cf.
The SUB switch routes the signal to the corresponding subgroups. The FX has 4 subgroups and The MAIN switch routes the signal to the main mix bus. Each stereo channel has two balanced line level inputs on jacks for left and right channels. Both jack inputs will also accept unbalanced connectors.
Use this control to adjust the line signal levels on channels FX only. The stereo channels contain a stereo EQ section. The cut-off frequencies of the high and low bands are 12 kHz and 80 Hz respectively, while the center frequencies of the high-mid and low-mid bands are 3 kHz and Hz respectively.
Both mid range bands are of the peak filter type. A stereo EQ is superior to two mono EQs on a stereo signal as two separate EQs will usually result in a discrepancy between left and right channels.
In principle, the aux sends of the stereo channels function the same way as those of the mono channels. As the aux sends are mono, the send from a stereo channel is first summed to mono before it reaches the aux bus. Welcome to ManualMachine. We have sent a verification link to to complete your registration.
Log In Sign Up. Forgot password? Enter your email address and check your inbox. Please check your email for further instructions. Enter a new password. Thank you Congratulations! With the addition of the latest digital technology these best-in-class consoles combine the advantages of both analog and digital technology. Table of Contents Thank you Download them by going to the appropriate product page at: www.
Caution To reduce the risk of electric shock, do not remove the top cover or the rear section. Caution To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. Caution These service instructions are for use by qualified service personnel only. Unlike conventional circuitry an SMPS provides an optimum supply current regardless of the input voltage. Frequency response correction Using the equalizers found in each channel strip, you can simply, quickly and effectively adjust the way a signal sounds.
Effects mixing In addition to the effects processor contained in your mixer, using the insert connectors on the mono channels and both aux busses lets you insert additional signal processors into your signal path. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Thank you for your cooperation! The cut-off frequencies of the upper and lower bands are 12 kHz and 80 Hz respectively. FX The aux send marked FX offers a direct route to the built-in effects processor and is therefore post-fader and post-mute.
This bus signal is sent to an aux send connector for monitoring applications: MON OUT and then routed, for example, to an active monitor speaker or external effects device. When working with subgroups, you can use the PAN control to assign the signal to just one output, which gives you additional flexibility in recording situations. You can only view or download manuals with.
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